22 April 2017
Art and Design, creativity, Makery, textiles
creativity, design, fabric, imagination, makery, making, quilt, quilting, quilts, Sewing, textiles
I find that I’m enjoying a great deal the process of laying out a quilt, and then sewing the rows and columns together to make the quilt. These squares are 5″ to a side for this quilt with a penguin theme. The quilt is going to be much wider than a typical crib quilt, but about the same length.
Unfortunately, the dark blue fabric is polyester and slippery. I don’t know if this is going to work. I’ve found conflicting opinions about quilting with polyester fabrics — some people love them, some people hate them. I’ve decided on a 100% cotton backing fabric, though, so if the baby winds up being sensitive to poly they can always flip it over and display the quilt top to the world and wrap the baby in two layers of cotton away from the artificiality.
Why use poly at all? Do you know how hard it is to find penguin fabric to begin with? I also didn’t choose the fabric, in this case. This is a custom order, and I’m not sure that we knew it was poly when we ordered it.
In any case, there’s this delightful process that you can see in the third photo, where the rug gradually vanishes behind the fabric as the quilt takes shape. This one should be done later today, or at least it should be done later today.
There’s another thing that I quite like about quilting with these sorts of prints. When you look at the whole fabric, it’s very hard to admire it — it’s the same pattern repeated over and over again. It’s mind-numbing in its regularity. And it’s often dull to look at.
But then something happens when you cut it up. As the fabric is sliced in two directions, the pattern becomes more randomized. Sometimes it’s the father and mother penguin in the foreground, sometimes it’s in the background, sometimes it’s the large line of penguins in the middle ground that becomes prominent. The pattern’s regularity becomes irregular, as the rotary blade cuts and slices the repetitive imagery into squares that don’t respect the pattern’s repeat mode. And so something new emerges. It’s the original cut-and-paste, in some ways. Except that with quilting, it’s cut-and-baste.
13 February 2017
Art and Design, creativity, design, Makery, textiles
babies, baby, baby quilts, creativity, crib quilts, design, fabric, quilt, quilting, quilts, Sewing, simple sewing, textiles
Normally the Monday article is a book review. I’m a little behind in my reading due to other projects this weekend. So that will appear later this week. Instead…
Quilts are relatively easy. All you do is beat your head against the sewing machine while flogging your back with a quilting ruler.
Maybe it’s not that difficult. It does seem to involve a lot of cutting of fabric into squares or strips; sewing those together; the resulting squares into different pieces; and then sewing those together.
I tend to go more simple on baby quilts. After all, babies do grow up sooner or later. And then the quilt will be retired to an attic or given away — becoming an appropriate link in a chain as children become adults and bring children of their own into the world.
So far I’ve produced four baby quilts. I gave the two described here to the happy parents this weekend. They gray roses is for a small baby born a few months ago. The blue and red quilt is intended for a baby who will be born in a few weeks.
The essence of a simple quilt is this: make squares of fabric. The fabric squares should be all the same size or pretty close. The challenge with one of these quilts, the gray one, was that the quilt squares were neither squares, nor the same size. Getting stuff to line up was challenging. The blue and red quilt is more regular, with squares of 10″, all of them pretty exact.
The most difficult part of making a quilt, for me, is sewing the backing and batting and front of the quilt together. Making squares, particularly these single panel squares with no decoration, are easy. Sewing rows together is easy. Sewing columns together is easy. It’s the challenge of sewing through three layers — the decorative front, the batting or felt layer, and the backing fabric — that wrecks my sewing machine and tangles my thread.
The specific challenge with these quilts, and the assembly of the layers, was a question of thread. every time I got more than a few inches into the quilting of thr three layers together, the thread would snap. Then I’d discover that the back side jad become a whorl of loops and tangles — what experienced sewers call birdsnesting. When the sewing machine creates birds’nests, the cause is either the tension disks, or the tension on the needle thread, or the tension on the bobbin thread, or the motor…. But! I learned this week that sometimes it’s cheap thread!
These two quilts are what are known as “crib size” meaning about 36″x54″. They’re not actually that size though. I wish they were. When you consider the common denominator between those two numbers, though, it means that we’re looking at squares smaller than 10″… probably about 9 1/2″, to account for a quarter inch seam area around each square.
Cheap thread. Who knew? When you use badly-made thread, wound on a substandard spool or bobbin, the thread often snags or breaks. It doesn’t come off the bobbin smoothly. The result is birds’ nests on the underside of your sewing!
So now I know that. And now I have to remember that… because the risk is always to save money on materials and not to go to too much expense on a project. But going down to the cheapest available materials usually results in complications later in the project — usually at exactly the point that the finished project is nearing the point of looking professional or amateur.
I think, at this point, I’ve made as many simple-square quilts as I want to make. I think my next challenges are hexagons and triangles.