I’m went down to New Haven to visit the Eli Whitney Museum for the first time today. My God. There were not so many miracles accomplished in the carpentry shop of Jesus of Nazareth as in the carpentry shop there.
Meanwhile, I’m thinking about color. The Eli Whitney is near a place where I can buy acrylic paint in these small tubes, so I double-checked my current paint supply against the Golden Dawn color scales this morning, with an eye to filling in the absent bits with a few tubes that would fill in the missing places in my schema. I wanted to do some more work on the Kavad today.
I got my paint, but I’m not sure I’ll get a chance to work on the kavad. The Eli Whitney Museum was amazing, and it’s probably worth a visit all its own if you’re a maker and happen to be in Connecticut.
The Golden Dawn (English magical society, not Greek fascist party) developed a system of color magic that I’ve been eager to incorporate into the kavad. It’s one thing to be able to produce the color mentally. It’s quite another to produce them from tubes of paint and have the painted colors match the intended reality. Not easy.
There are four Golden Dawn color scales. Each scale is named after a court card in the Tarot: king, queen, prince and princess. There are ten basic shades or hues in each scale, and an additional twenty-two colors in each scale. So … thirty-two colors in each scale, times four. A lot of overlaps, yes… but in essence, 128 hues to work with, each with its own rules and correspondences.