Coptic stitch


Poetry has been a special concern of mine for decades. I’ve written a lot about poetry; and I’ve written quite a lot of poetry, from the Orien fragments to the Neo-Orphic hymns, and a bunch of stuff in between. Usually poets in the 21st century publish chapbooks, or small paper pamphlets of their work. I delayed, and delayed, and delayed. But I’ve finally felt like I’ve reached an important stopping point. 

And so I’m taking the time — a lot of time, really — to print and hand-bind the collections. There are going to be (probably) a hundred copies each of four books: the Book of Splendor, shown here; the Behenian Stars (I gave out six very special editions last weekend); the Mansions of the Moon; and the Decans of the Zodiac. The last two are still in development, but these first two are essentially done. I think. 

Nothing left to do but the binding. I did ten copies of the Book of Splendor in an early edition, a special run of ten copies, to test out different binding processes. I decided that I really liked the Coptic stitch best.  So now I’ve started on a run of 100. I’m at odds with myself, whether to do all the covers in black with blue endpapers, and the binding in white thread; or whether to change it up by groups of ten or twenty-five. The text will remain the same throughout. 

I also haven’t decided if I should sell them as I make them, or wait until I have a big pile of them. I’ve decided that ten or maybe twenty or so will be gift-copies; but most are going to be for sale. 

It’s a funny feeling in the gut, to know that the covers, the binding and the book and the text inside it are all your own work. Feels like a responsibility. Feels like a happiness, too.