New eBook: Festae

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I’m pleased to report that Festae, a book of poetry with hymns to deities from the Greco-Roman pagan calendar, is now available on Cover.jpg

Festae includes four odes called the “Seasonal Greetings”, dedicated to Spring, Summer, Autumn and Winter. It also contains forty-three additional odes in a traditional three-stanza form, dedicated to:

  • Poseidon, god of the wild sea
  • Neptune and Salacia in their roles as providers of salt for food preservation
  • Hecate as a goddess of magic and artistry
  • Hephaestus and the Nymphs, the teachers of technology and craft
  • Pallas Athena
  • Artemis of the Moon, and of Music
  • Apollo
  • The Nine Muses
  • Vesta three festivals of June
  • All the Heras
  • The year-end celebrations of the Roman sacred year in February
  • and numerous others…

This collection joins four other of my poetry on Amazon, including The Sun’s Paces: hymns for the Decans of the Zodiacand the Poems for the Behenian Starsand Hymns for the Mansions of the Moon.  You can also find The Tai Chi PoemIn all, these five collections now present one very long poem about tai chi, and nearly 130 other poems on subjects related to astronomy, ancient history, the better angels of our nature, and our relationship to the sky and each other.

It’s been my great pleasure to write and share these poems with you, and I hope you enjoy them.  These materials are also listed on my publications page.

What do you all think?


What do you think?

Does this set the right tone for the letter? Is it properly couched in sufficiently legalistic language so it looks like I know what I’m talking about?


I regret to hear that this project of yours is so small, and that you’re creating a mix-and-match kit.

The sonnet cycle of the full and new moons I’ve been writing, developing, and thinking about for two years is actually part of a much larger project that’s taken a number of years more. The result is a fairly complete set of writings appropriate to time of day, season of year, weddings, funerals and even specific weeks and days that amounts to approximately seventy or eighty pages to date, and more than ten thousand words.

Simply put, I will not turn over five or six years of work in exchange for author’s copies. I have my own plan in mind for them.

I am prepared to grant you the limited once-off right to publish the October Full Moon Sonnet as part of this specific collection you’re assembling, provided that I retain the overall copyright. If I am not paid, I ask for at least four author’s copies, since my standard writing contract specifies three copies when I’m paid.

I enclose my snail-mail address below if you are still interested in this arrangement.




If you’re reading this, you’re one of a small number of people in the world who can read it. FEEDBACK REALLY APPRECIATED ON THIS ONE.

A prominent figure in the world of fire circles, and a published author, who shall remain nameless but whose initials are O.Z-R. just asked me if he could publish the October Full Moon Sonnet, which of course is part of this series I’ve been sending out on Mystery Tribe, the SpiritFire List, the TurtleTribe list, and elsewhere. I wrote back to him and mentioned that there was a whole series of these poems, connecting the sabbats and esbats.

And he asked for the whole set. He’s working on a book project, you see, a collection of poetry and ritual resources associated with the quarter days, cross-quarters, and Esbats, a project set to begin in January and conclude around Beltane. As he put it, “this is a small project, and there wouldn’t be a payment for any of the contributors except in authors’ copies.”

Now. On the one one hand, it’s nice to be noticed by the big boys, and to have my work singled out for publication. On the other hand, it’s more than a little aggravating to me that I’ve spent a year thinking and planning this project, and the projected reward for a year’s worth of work is “authors’ copies”, meaning that someone else gets the profit and I get shafted.

I’m a published author. OK. It’s role-playing game credits. But still, I get paid $0.05 a word, and this “Great Year” project now amounts to over 7,000 words. Another four sonnets and three other pieces in the planned collection, and it will be 8,000 words or so, fifty pages of poetry or thereabouts. O-Z’s name will sell lots of copies, and I’ll get noticed — and forgotten. And unpaid. Or I can try to save this project until it’s several years in the making, and try to get it published under my own name… and in theory, either get paid or lose my shirt.

Are these poems, as I believe, worth holding out for a united publication, as a complete “system”? Or should I allow them to be integrated into someone else’s project? Or should I give him rights to the October Sonnet alone as a way of building overall interest in my project? Anyone have any thoughts at all on this?