Happy Equinox to all my readers.
17 March 2017
I’m pleased to report that Festae, a book of poetry with hymns to deities from the Greco-Roman pagan calendar, is now available on Amazon.com.
Festae includes four odes called the “Seasonal Greetings”, dedicated to Spring, Summer, Autumn and Winter. It also contains forty-three additional odes in a traditional three-stanza form, dedicated to:
- Poseidon, god of the wild sea
- Neptune and Salacia in their roles as providers of salt for food preservation
- Hecate as a goddess of magic and artistry
- Hephaestus and the Nymphs, the teachers of technology and craft
- Pallas Athena
- Artemis of the Moon, and of Music
- The Nine Muses
- Vesta three festivals of June
- All the Heras
- The year-end celebrations of the Roman sacred year in February
- and numerous others…
This collection joins four other of my poetry on Amazon, including The Sun’s Paces: hymns for the Decans of the Zodiac, and the Poems for the Behenian Stars, and Hymns for the Mansions of the Moon. You can also find The Tai Chi Poem. In all, these five collections now present one very long poem about tai chi, and nearly 130 other poems on subjects related to astronomy, ancient history, the better angels of our nature, and our relationship to the sky and each other.
It’s been my great pleasure to write and share these poems with you, and I hope you enjoy them. These materials are also listed on my publications page.
16 March 2017
Gary Stager and Will Richardson both have similar ideas about MakerSpaces. They’re worried they’ll add to inequality, and that they’ll continue to be used as hangars for equipment and technology, relegated to a few narrow functions, and ultimately not really put to use.
Gary says in one source (not quoted in Will’s article):
The greatest threat to realizing the potential of the maker movement in the schools is the coupling of the words “maker” and “space:’ It turns out that
it is comparatively easier to hang a sign on a room full of stuff than it is to change classroom practice.
The makerspace threatens to repeat the historical accident of the computer lab :The enthusiasm of an early adopter and presence of new technology created a specialized bunker that kids would
visit each fortnight for the next two generations — like a field trip to colonial Williamsburg . We need to avoid any chance that making, like computer integration , will remain a novelty and be left to a “specialist ” while other teachers remain disengaged .
And then, Will says this…
Much in the way that schools have spent tons of money on iPads and Chromebooks that have changed little in terms of the culture of learning or in the agency and autonomy kids in classrooms have to learn in classrooms, the same danger exists for Makerspaces. As Gary says, making is a “stance.” It’s a way of thinking about learning and schooling, not something that suddenly happens because of new technologies.
Why it’s so difficult for schools to put vision and philosophy ahead of tools and tech escapes me.
Today I listened to a new podcast on Thursday, Meaningful Making. It’s good. I like it. They had a lot of good insights, including the recognition that the Maker community tends to skew white and geeky, and that we need to do more to promote greater diversity in the Maker community — shout out here to @Mr_Hutchinson_ who does remarkable things with very little… (but boy, do these podcast guys need Toastmasters… lots of uhs, and ummms. repeated words, filler statements… I recognize that a podcast is a different format than a radio show, but if you’re going to be a professional or semi-professional speaker, you owe it to your audience not to repeat yourself too much if you expect your audience to give you an hour of their time.)
Yet something one of the participants said gave me pause. He said that there was a regular problem on the standardized tests that involved folding a net mentally, to see if it made a shape. Could the students fold a given 2D net of triangles and squares into a 3D shape, and would the resulting net be complete? The teacher used a 3D printer to make a number of ‘manipulables’ — an ugly, not-really-elegant word — for students to play with in order to see whether or not the given ‘flat nets’ folded into regular shapes.
Oh… you mean….
- Platonic Solids ? — tetrahedron, cube, octahedron, dodecahedron, icosahedron?
- Archimedean Solids?
The people at Mathisfun.com have been producing these raw nets for at least a decade. They were one of the first things I turned to in the MakerSpace at my school in 2010 — because there were few things cheaper than paper for teaching Maker skills and Maker mindset to children, and when we started we had virtually no money for tools or materials other than what I could beg, borrow, or recycle.
It’s also a ready-made computer activity: “Use graphic design to make a net — a flat design — that when cut out and folded turns into a three-dimensional shape that can be measured.” It’s then less interesting to produce flat ‘manipulables’ that don’t fold into 3D shapes — and the kids who cut out and fold the real thing will find their skill improved when it comes to imagining the folding of 2d images, because their hands will have done it already. — Principle #4, what the Hands Do, the Mind Knows.
I produced one in five minutes in a word processing application and posted it as a screenshot here, but even a rough cut-out of the weird cross do-hickey on this page will produce a 3D cube. This cube can be assembled inside out, too, creating six surfaces for decoration, or to make dice, or to assemble into structures, or to talk about crystalline structures… After all, that’s what ancient people noticed about crystals a long time ago: that they came in distinct shapes that appeared to be related to standard geometric forms like hexagonal prisms and cubes and octahedrons.
I’ve said elsewhere that Maker teachers need to be focused on the past (Principle #10, Past vs. Future Orientation) so that the students can be future-focused. The Maker teacher thus becomes a library of solutions, if you will, and can give a student guidance about how to put materials or technologies or techniques to use.
But it’s not always helpful if we turn to the flash and the heat and whiz-bang of the 3D printer when one of the key experiences we want students to gain is the knowledge of how to turn a 2D material (like paper) into a 3D object (like a cube or an icosahedron). I recognize that a) every person has their own entry point to Making; and b) people need to learn how the tech works before they can adopt the right mindset around teaching it to others. That’s fine.
But we should be conscious of not over-investing in the technology for technology’s sake. Paper has the advantage of being scaleable in a way that 3D printing isn’t, yet, for schools. Paper is a wonderfully diverse material: ephemeral in a way that 3D printer plastic isn’t, mark-able in a way that plastic isn’t, recyclable in ways that 3D printer plastic isn’t, and as dependent on how we mark it, as how we choose to shape it or design it to function. It also folds, and it can be sewn, and it can serve as template for other projects; and it can teach complex concepts in short order which can then be programmed!
I do believe that this approach takes some of the “discovery” component out of student learning. After all, you’re using an adult’s graphic design skills and an adult’s mental library of past technologies to present students with ideas. But you’re also putting ideas in student’s minds at the same time that you’re giving them tools and materials practice. Just in this blog post, I’ve linked to the idea of using paper to:
- build scientific instruments
- teach core concepts of solid geometry
- train the mind to recognize geometric 2D nets as 3D or not-3D objects
- building books (which a 3D printer can’t really do)
- fold origami patterns
- build templates for sewing projects (including clothing)
- building and coloring planetary globes
- building cultural objects
- teaching algorithms for cryptography (and introducing students to the ideas of secret-keeping).
So, guys — great podcast so far, really. But you’ve spent two weeks talking about how awesome computers and 3D printing are. Maybe you can remind people that cardboard and paper have important roles to play, too?
12 March 2017
Art and Design, creativity, design, FutureShock, makers grimoire, Makery, Philosophy, Professional, Teaching advice for schools, design labs, learning, learning how, maker programs, makerspaces, makerspaces in libraries, makerspaces in schools, school makerspaces, Teaching, teaching teachers, teaching technology, technology 2 Comments
During the last session of yesteday’s #Edcampswct (see edcamp.org about what an Edcamp is), I led a discussion on MakerSpaces and Maker Programs. I want to summarize what points I made there, and provide links to deeper insights on those subjects; and make a few further points that I don’t think I made in the time allowed, but were on my mind.
- Visual Thinking
- 2D makes 3D
- Tools Make Tools Make Things
- What Hands Make, Mind Knows
- Recycle and D.I.Y.
- Space Requirements
- Tool Storage
- Materials Storage
- Project Storage
- Archive Process
- How-To Library
- Repair (and Sharpening)
- First Aid
- Best Practice vs. Liability
- (And to these 7 steps I’m adding—
- Games and Game Playing
- Past vs. Future Orientation )
6 March 2017
Art and Design, creativity, Magic & Spirituality, Makery, Personal astrological art, astrological magic, astrological poetry, astrology, decans, decans of the zodiac, The Sun's Paces, zodiac Leave a comment
I have another, another new book on Amazon today:
The Sun’s path across the sky is called the Ecliptic, and it passes through the twelve signs of the Zodiac. As it does so, it passes through the thirty-six subdivisions of the Zodiac, called the Decans. Famed in ancient Egyptian, Hellenistic, and Renaissance sources, they’ve become less important in recent centuries — and yet they’re far older.
In these thirty-six poems, Andrew Watt (that is, me, your blog author), explores these hidden meanings, and the hidden sacred stories in the Hellenistic-era deities that preside over the Decans. In these pages you’ll encounter Tethys the Titanic queen of Ocean and Hekate the magical lady of the Crossroads, Serapis the syncretic tyrant and Dolus the trickster. The traditional imagery of the Decans are briefly discussed, and suggestions are provided on how to incorporate the study of the Decans into your own life. Most of all, these poems celebrate the diversity and range of thirty-six other ways of looking at the complexities of modern life through the lenses of ancient wisdom.
This brings to four the number of titles that you can find of my poetry on Amazon.com:
Thank you so much if you’ve already purchased one or more of these collections of poetry. Your support is very much appreciated.
27 February 2017
I have a new book on Amazon.com.
The Mansions of the Moon
The Mansions of the Moon, a collection of twenty-eight poems celebrating the angels of the Mansions of the Moon, and their images and lore, as described in Picatrix and other sources like Christopher Warnock’s book, The Mansions of the Moon, is available in Kindle format here.
Current price is $4.99 for twenty-eight poems, greeting the twenty-eight angels of the Moon’s orbit as found in traditional astrological sources like Picatrix.
From the book blurb on Amazon…
In many ancient sources, the Moon is called “The Treasure House of Images” and this book helps explore that name. From at least the classical era, ancient Mediterranean, Middle Eastern and Indian civilizations divided the sky into twenty-eight Mansions, noting that the Moon spent a day in each of these places in the course of a month. As with the night sky divided into constellations, ancient astronomers named these Mansions and gave them images, and celestial rulers. Thus, the Mansions of the Moon are a ‘Zodiac’ of sorts for the Moon — a sequence of twenty-eight positions that the Moon occupies on successive days through her month-long procession across the sky.
In this sequence of twenty-eight poems, Andrew Watt explores what the Mansions have meant for hundreds if not thousands of years — the spiritual rulers said to reign in those palaces, the forces they put to work in human and earthly affairs, and the imagery that is said to adorn these Mansions. Each Mansion, and each poem, is thus a door or a window into a magical way of seeing the world. By following the Moon through each of the Mansions on succeeding days, the reader gains insight into the way the Moon truly is a Treasure House of Images.
25 January 2017
I’m pleased to report that the Poems for the Behenian Stars poetry book is now available on Etsy as a downloadable PDF (US $10.00) file, and on Amazon.com as a Kindle file (US 9.99). So you now have a choice of formats. I earn somewhat more from the Etsy download than from Amazon, which I hope factors into your choice; but either way it should work to your advantage.
What do you get in this collection?
The Behenian Stars are found in the writings of H.C. Agrippa in Book II, Part 4, chapter 47 and in other sources on medieval and Renaissance astrology and astronomy. No wonder, really: most of them are first-magnitude stars in the northern celestial hemisphere:
- Algol in Perseus
- the Pleiades in Taurus
- Aldebaran in Taurus
- Sirius in Canis Major
- Procyon in Canis Minor
- Regulus in Leo
- Arcturus in Bootes
- Algorab in Corvus
- Spica in Virgo
- Polaris in Ursa Minor
- Capella in Auriga
- Alphecca or Gemma in Corona Borealis
- Antares in Scorpio
- Vega in Lyra
- Deneb Algedi in Capricorn
And to this list I’ve added three other poems, honoring Fomalhaut, the only one of the four royal stars not in the list; Altair in Aquila the eagle, one of the other first-magnitude stars in the northern sky; and Alkaid in Ursa Major, a star whose spectrum helps to classify other stars and which sits somewhere between 1st and 2nd magnitude on that 6-point scale.
The poems are in the traditional formal style called an ode: three stanzas of ten lines each, organized metrically and with a rhyme scheme of ABABCDECDE. Each poem draws on the traditional lore of both astronomy and astrology, and ends with a call to bring the influence of the star into our lives. For magic, for poetry, for learning the northern stars, for the purpose of studying the night sky — these poems help get you to the behen (from the Arabic word for ‘root’) of naked-eye astronomy. Reading the poems while under the night sky will help connect you to your ancestors, and to the timeless mythology that constantly rolls by overhead.